These are proposed courses for future semesters. Be sure to check the published course schedule for the appropriate semester for final course information.
Fall 2008
Graduate Course
ENGL 604. Seminar 20th-Century American Children’s Literature:
Child, Culture, Nation. Prof. June Cummins-Lewis - Tuesdays 1600-1840
(4:00 - 6:40 p.m.).
In this course we will study children’s books written during
the 20th century in the United States with the aim of defining
this specific canon. Now that the 20th century has ended, we
can look back over the century and discern certain patterns
and trends in children's literature. What can we determine about
20th-century culture through examining these patterns? Can we
reach conclusions about American concepts of childhood, families,
institutions, and of the nation itself through children's literature?
Why did certain books become classics and what do these classics
tell us about ideologies and agendas? How are attitudes toward
gender, class, and race solidified or challenged? Why do certain
books become very popular and what does this popularity reveal
about children’s culture? We will attempt to determine how powerful
children's literature is in creating cultural norms and values.
We will discover if we can assert that the U.S. does have a
national children’s literature, one with consistent characteristics
and values.
ENGL 627. History of Children’s Literature. Prof. Alida
Allison - Mondays 1600-1840 (4:00 - 6:40 p.m.).
Books include Struwwelpeter, Pinocchio, Black
Beauty, Pippi Longstocking, Ragged Dick,
The Annotated Alice in Wonderland, Sixby
Seuss, Jack Zipes' Aesop's Fables, Anne Higonnet's
Pictures of Innocence, and Neil Postman's The Disappearance
of Childhood.
Class Reader includes excerpts from Philippe Aries' Centuries
of Childhood, Hugh Cunningham's Children and Childhood
in Western Society Since 1500, Colin Heywood's A History
of Childhood, Koops and Zuckerman's Beyond the Century
of the Child.
We will examine rare old children's books in the SDSU Special
Collections Library with Curator Anne Bahde and Research Librarian
Linda Salem.
Historical approaches: biography, thematology, literary-history,
influence and reception. We’ll be discussing children’s literature,
of course, and its development over the centuries, with an eye
toward its burgeoning around the world today; we’ll discuss the
economic, cultural, and psychological aspects of childhood as
well as some key works defining/redefining children’s literature.
We’ll have two class sessions at the library, as noted on the
syllabus, and some intriguing guests. Because arrangements for
guests are unsettled at the beginning of the semester, I may need
to change the syllabus later. This won’t effect the due dates
of your papers and I will let you know via email of the changes.
You’ll select two books during the semester, one a period-representive
work of fiction from those listed above and the other a book of
reference, criticism, or theory. For each you’ll write an 8-10
MLA-formatted research paper, one due about mid-semester and the
other at the end of class. For the former, you will place the
book and author in the context contemporary to the book’s writing/publication
and contrast it to the book’s reception nowadays. The final paper
will explain key points made in the book you’ve selected, and
offer evaluation and critique from others and yourself.
Your grade will be based on these two papers, on your oral presentations
of the books to the class, and your overall participation, of
which there should be a lot.
Spring 2009
Graduate Course
ENGL 606. Tricksters and Iconoclasts in 20th-Century Children’s Poetry. Prof. Joseph Thomas.
Course would feature such authors as Shel Silverstein, Dr. Seuss, Maurice Sendak, John Ciardi, Theodore Roethke,
and Gertrude Stein. We would be reading Theory by Lee Edelman (No Future: Queer Theory and the Death Drive),
Leslie Fiedler (Freaks: Myths and Images of the Secret Self), Lewis Hyde (Trickster Makes This World), among others.